The French Guinea beat-boxed a rhythym with his barefeet, echoing electronically to silence the crowd. Every so often, Tamango’s focused, balancing gaze would raise toward the rafters and smirk suspiciously. The kind of look a child makes before they paint on the wall. That’s when you knew the troupe of artists from Guadeloupe, French Guiana, Haiti, Cote d’Ivoire, Jamaica and France was about to do something just as unexpected as it was phenomenal.
The performers built off of each other as if in conversation - first “speaking” one at a time, then “talking” over each other and after time harmonizing together. Elaborating on his signature style, the freestyle tap dancer pontificated, “Tap is a language. We can tap it, so it becomes a voice. It is articulated. And it becomes more than just the dance.” This common language was apparent when the dancers improvised with musicians and in battle with Tamango.
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